Cedar Rapids Museum of Arts
410 3rd Ave SE
www.crma.org


"Mauricio Lasansky: Master Printmaker"
Permanent exhibition
Making prints for more than 65 years-first in his native Argentina, then in New York City, and for more than 55 years in Iowa City, Iowa-Lasansky's generous gift of prints in the 1980s and 1990s has made it possible for the Museum to present a wide range of the artist's works, changing all four galleries every six months. Best known for large-scale prints in which he uses multiple plates and full ranges of color, Lasansky combines a spectrum of graphic techniques including etching, drypoint, aquatint, and engraving. Throughout his stylistic evolution, he has created eloquent figural statements that are colorful, fresh, and spontaneous.

"Art In Roman Life"
Permanent exhibition
An exhibition of more than 50 works, including 21 Roman portrait busts donated to the CRMA by Tom and Nan Riley in 1996, this installation is a condensed version of the CRMA’s immensely popular Art in Roman Life: Villa to Grave exhibition. From coins to glass vessels to ceramic lamps to marble sculptures, this exhibition reveals more than 600 years of artistic production, which comprised daily life in Rome from the 1st century B.C. through the fall of the Roman Empire.





"Malvina Hoffman: Rodin's Last Student
Permanent exhibition
In 1910, the young sculptress Malvina Hoffman (1885-1966) arrived at the door of French sculptor Auguste Rodin (1840-1917) with a letter of introduction. After five attempts by Hoffman to meet the master, Rodin immediately agreed to take her on as a pupil upon seeing photographs of two of her works. What followed was a rewarding relationship between one of the greatest sculptors of all time and his last student. Hoffman went on to a successful career as a sculptor, perhaps most famous for her 100 sculptures for the Chicago Field Museum's Hall of Man.



Grant Wood In Focus
Culled from the Museum’s extensive collection of work by Grant Wood, this single-gallery installation will trace Wood’s entire career from his youthful creations until his death in 1942.  It will serve as an overview of the artistic achievements of this important American painter.


Treasures From The National Collection
The CRMA is excited to provide a second floor gallery space for the National Czech & Slovak Museum & Library (NCSML) for a special exhibition from their permanent collection. The exhibition, Treasures from the National Collection, will open at the CRMA on June 20.
This exhibit will feature examples of fine, folk, and decorative art. One piece on display will be “Paul and Andy” by Paul Warhola. It was damaged in the June flood, but has been repaired by experts at the Chicago Conservation Center. Paul Warhola is the older brother of Andy Warhol. Textiles embellished with beads and embroidery will also be displayed, including several full kroj. Anyone who has seen our folk costumes can attest to their status as works of art. The gallery will also contain some of our fine Royal Dux porcelain pieces, as well as glass and crystal from well known makers such as Moser, Rindskopf and Teplice.

The American Century
In this new installation of the permanent collection, the many movements of twentieth-century American art will be highlighted.  While the CRMA’s collection is considered one of the foremost in Midwestern art, it also possesses numerous examples of art from other regions of the United States and can demonstrate many of the movements and interests of art in America in the twentieth century, the century in which American art came to dominate the art world.

The Sky’s The Limit: Marvin Cone’s Clouds
May 1-Aug 22
Throughout his entire career, Marvin Cone was fascinated by clouds and he demonstrated his awe of and reverence for cloud formations in many paintings and drawings. In some of his works, majestic clouds are so much the subject that those paintings are more correctly called “cloudscapes” than landscapes. This exhibition of thirty works from the 1910s to the 1940s traces the many ways and styles Cone used to capture the ethereal and transitory qualities of clouds, as well as their majesty and power.

From Monet to Picasso: The Riley Collection
May 22-Sep 19
Local collectors Tom and Nan Riley have been quietly creating an extraordinary collection of European art of the late 19th and the early 20th centuries.  With significant but little-known works by Monet, Renoir, Degas, Pissaro, Chagall, Cassatt, Dufy, Matisse, Léger, Mondrian, Miró, Dali, Braque, and Picasso, the Riley Collection has become one of the most significant private collections in the state of Iowa.  These European masterworks join works by local artists Grant Wood and Marvin Cone, infusing a bit of American art into the collection.  The exhibition shares, for the first time, this extraordinary collection with the public.

Marion Arts Council
Lowe Park Arts and Environment Center
4500 N 10th St, Marion  319-322-4846
marionartscouncil.com
 
“Energy, Light and Color” by Abby Jones, Paul Monska, and Dena Tollefson

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Grant Wood Studio
grantwoodstudio.org

Guided tours on the hour
Open Fri-Sun   12 PM-4 PM


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CSPS
1103 3rd St SE 
legionarts.org

Based at CSPS, a former Czech social hall near downtown Cedar Rapids, Legion Arts is an independent, nonprofit arts organization, run by artists and committed to innovation, diversity and community.

"Voom Portraits" by Robert Wilson
Hours are 11 AM-6 PM  Wed-Sun

Coe College
Sinclair Auditorium
1220 1st Ave NE  319-399-8581


Conger Metcalf Collection

The Perrine Gallery: Coe's Grant Wood Collection

 

Campbell Steele Gallery
1064 7th Ave, Marion
campbellsteele.com

In 1991, Craig Campbell and Priscilla Steele purchased a vintage 1894 storefront that originally housed Marion's Kendall Hardware. The warm hues of wood floors and an ornate tin ceiling that were original to the hardware store, now compliment a collection of original fine art in all media. Visitors will find the work of many of their favorite local, regional & national artists. Co-owner, Priscilla Steele has integrated her studio space into the gallery, so that you may learn how intaglio prints are pulled on an etching press, view her drawings and etchings in process, as well as view a rare selection of lithographs, etchings, foil-stamped monoprints, and wood-cuts.
Gallery hours are now Thur, Fri & Sat from 10 in the morning until 6 in the evening ... and anytime you'd like, by appointment.  Just call us at 319-373-9211, at least one day in advance, and we'd be happy to open the gallery for you at your convenience ... day or night.

Michael Bond
On a trip to Italy about four years ago, I luxuriated in visits to places and art about which I had studied in a succession of classes with renowned Italian Renaissance scholar and professor, Dr. Wallace Tommasini.So it was with great excitement that I enthused that I “…couldn’t wait to see the Duomo!”, as I crossed Florence’s Ponte Vecchio. My head was bent low over multiple guidebooks which I was busily cross-referencing, and members of my ever-forbearing family urged me to simply look up. Talk about a big pizza pie hitting you in the eye! That singular architectural achievement, which is visible from all parts of the city, looms large as a testament to the indomitable genius of its designer Fillipo Brunnelleschi and the civic will of the Florentine populace. Our entire visit was a giddy blur of art, food, family and Italian wine. It was with no small measure of fondness then when I happened upon Michael Bond’s lyrical little etching of the Ponte Vecchio. I’m proud to say that the etchings of Michael Bond are now represented at the gallery.

Stan Fellows
Stan had illustrated for the New York Times and The Wall Street Journal, that he had illustrated many books, and he had enjoyed a very busy and successful career as an illustrator for more than thirty years. It’s therefore a particular delight for me to introduce some of Stan’s watercolors to our gallery audience. And, it’s just downright fun that Stan is going to attend and paint during (right on the spot, ladies and gentlemen!) Music in the M.U.D. this Saturday, March 14. Music in the M.U.D. is a new, Saturday night event at Campbell Steele that is getting some serious traction. Pair Stan’s painting with the fact that our cute-as –a-button purveyor of wines, Jeri Travis, will be decanting some delicious selections for our wine bar, and what you have is a great plan. Fun abounds at Campbell Steele.

Mary Snyder Behrends
The rich colors, carefully chosen elements and implied content in Mary’s pieces are not unlike the essence of a Leonard Cohen song. They are not always “pretty” in their overt presentation. They are thought provoking on multiple levels. They use the artist’s substitute for words, visual materials, with economy and a keen sense of purpose. Mary’s work is intense. It rewards the curiosity of the viewer with an understanding of how line, color, texture and composition shape an abstract, poetic conceit.


Julie Kottal
With her former advisor, Peter Thompson, Julie shares a keen color sense and a painterly fluency. And, the brilliance of Peter’s teaching and the strength of Julie’s artistic will and vision lie in the dramatic distinctions in their imagery. Since her graduation from Coe College, Julie has truly gained an authority in abstract composition. Her gestural, large-scale work now hanging at the gallery is a juicy testament to the the physically of her medium. I’d say that this woman could handily claim her own status as a “powerhouse”.






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